282 Royalty-Free Audio Tracks for "Bwv 609"

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in May 2019 (synthesiser sound version; see File:Menuet bwv anh 114 115 Anna Magdalena2.wav for piano sound version)

So fahr ich hin zu Jesu Christ, Schlusschoral der Kantate Der Himmel lacht (BWV 31), Chorstimmen und Trompete

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in Jun 2019 (piano sound version; see File:Menuet bwv anh 114 115 Anna Magdalena.wav for synthesiser sound version)

Johann Sebastian Bach, Kantate Höchsterwünschtes Freudenfest (BWV 194), Schlusschoral Sprich Ja zu meinen Taten

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach

Nicht nach Welt, nach Himmel nicht, Schlusschoral der Kantate Wachet, betet (BWV 70); Chorstimmen und Violino I und II

Polonaise in F major (BWV Anh. 117a) for piano by J. S. Bach (1685–1750) from Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894).

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

BWV 1067 - Bach, Johann Sebastian - Suite No.2 in B Minor - X. Badinerie

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

Johann Sebastian Bach (disputed) > Toccata et Fugue en ré mineur BWV565 - œuvre pour orgue. An audio meta_data recording Image:Metadata_BWV565_Attribution.ogg exists for this recording

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Українська: Й.С. Бах. Прелюдія es-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм.J.S. Bach. Preludio in E-flat minor from WTK vol. I (BWV 853). Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Concert pianist Awadagin Pratt performs w:Johann Sebastian Bach's Passacaglia and Fugue in C minor at the w:White House Evening of Classical Music on November 4, 2009. In addition from 11:22 to 11:27, he salutes United States President Barack Obama with a few bars of "Hail to the Chief".

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes